Notable Advertising and Marketing Quotes – Part 2

Previously, I wrote a blog post with some of my thoughts about advertising and marketing that I had posted to Twitter. With anyone in the industry, we all have opinions and best practices or even mantras about the world of advertising. That being said, here is round two of that thinking, or more to the point, my thinking, thoughts and learnings about the industry and creativity.

What are your thoughts?

The #KingJames #HardWorkTogether Nike Spot Needs a Better Insight

Nike Basketball, in partnership with Wieden+Kennedy, released a LeBron James comeback spot titled, “Together”. It is an “emotional” spot depicting King James’ return to the city of Cleveland. It has been getting a lot of PR and positive reviews lately, especially in the creative industry. Where it is an emotion-provoking spot, beautifully crafted, I began to wonder if the insight was correct.

Let’s take a step back in time. Back in 2010, LeBron “announced” to the world that he was leaving Cleveland to join the Heat in Miami. LeBron’s ego-driven press conference was not well received, to stay the least, in Cleveland. You even had the owner of the Cavs, Dan Gilbert, say that LeBron’s actions were a “cowardly betrayal” and went on to say, “the good news is that the ownership team and the rest of the hard-working, loyal, and driven staff over here at your hometown Cavaliers have not betrayed you nor NEVER will betray you.” These are pretty heated words born out of a lot of negativity, disappointment, disgrace and betrayal. We all began to wonder if Cleveland would ever want a part of LeBron again.

Now, without going too far into LeBron’s resigning with the Cavs, I think it’s more important to note the negative sensitivity that existed in Cleveland only four years ago. Now, in 2014, all of a sudden it is the “return.” LeBron is welcomed back with open arms by the city he put behind him in the most publicly and somewhat humiliating way? That being said, let’s look at the spot.

Hard work, together. It’s an inspiring and hopeful phrase. The film depicts the entire city coming together and building themselves to a hopeful epoch. It’s the Hope campaign all over again. As I watched this and I remember the past, and as a strategist who prides himself on human truths, I wonder if “Hope” and “Togetherness” was the right idea for the insight. Or, more specifically, I wonder if the insight was correct.

LeBron Together Spot - Nike - Arena

To me, this whole “return” is more dramatic than simply positivity and hope. It’s more than holding our hands and singing kumbaya. It’s more than just the gritty black and white film, it’s more than just giving back to a city that was once destroyed by an ego. And it’s way more than just showing people coming together. To me, the insight is more about the prodigal son returning.

The age old story about a son who disavowed everything and everyone who helped raise him. It’s a story about not being mature and only realizing that once he is out in the world. It’s more about coming home and being humble. It’s about being more than just a star, it’s about giving back, making amends and more so, it’s not about playing a game of basketball to ask for forgiveness.

Together also reminds me of another spot, “Made in New York featuring Derek Jeter. This was a film right on message. It conveyed the true feeling New Yorkers and all those who love baseball had about Jeter. It summarized his character and how the city, how the world truly felt about the man, then the sport. It wasn’t about ego, it was about thanking people.

Just as much as the Gatorade ad, the Together spot is beautifully crafted, it does have the “goose bump inducing” feeling. The ad has a grit to it, it has a feeling of truth and it has an emotive undertone. But the message of Hard Work, Together is about a city rising from the ashes, not about an NBA star telling them how to do so.

#Burberry’s Global Christmas Campaign is Beautiful, But Needs Some Refinement

Burberry has just launched their first global Christmas campaign. The campaign launched with a four-minute spot featuring Romeo Beckham, yes, the son of David and Victoria. Additionally, it features a new audio track from Ed Harcourt which will be released in December. As far as we know so far, since this is just the launch of the campaign, “the campaign will include outdoor, cinema, and social media advertising to generate interest in Burberry.”

Now, you assumed that Burberry typically does Christmas campaigns and they do, but what is different is this one is global. Yes, that was a bit redundant for me to say, however, coming from my experience working on global accounts, I want to talk about how global campaigns are somewhat difficult to undertake. Firstly, when creating global campaigns, relevancy in all markets (or a select few primary focus markets) is essential. Music choice, voice-overs, time and more importantly message is important as well. Global campaigns are extremely complex, expensive, highly criticized and difficult to produce.

It’s not my place to tell Burberry what to do with their first global campaign, nor is it my place to assume what their global objectives are. However, what I can do is review the creative from the lens of my experience on global accounts and my experience working in advertising.

Burberry Christmas

It’s beautiful, but needs some refinement.

  • The Idea: Let’s start with what I assume the idea is, “Christmas is the time for love and giving.” Christmas is also the time for the enjoyment of idealism and merriment which can be transcribed into song and dance. Christmas is tough, it’s tough to differentiate yourself within the Christmas season, especially if you are a clothing retailer. The campaign does feel a bit scripted and predictable, however, the song and dance is a nuance that not all brands can leverage or, furthermore, own.
  • Music: The new track by Ed Harcourt is brilliant. It captures the essence of the Christmas season and the feeling of idealism and love. However, it doesn’t feel as though it “fits” with visuals. There are some relevant cuts and timing with the dance and the storyline, but all in all, the track feels a bit forced to be a part of the story. At times, the music with the spot feels as though they are two disparate pieces of creative jammed together; less of a solution and more like a suspension. Additionally, I’m not sure why the track is not available until December. It would make sense to release the track at the same time of the campaign launch.
  • Choreography: “Burberry used 50 dancers who perform a dance inspired by classic musical films in front of theatrical London street background.” The choreography is beautifully done and expertly timed. Along with stubble cinematic undertones and perfectly timed cuts and pans (timed according to the dance, not the music), it almost appears that it’s out of a Fred Astaire or Gene Kelly film, or better yet, an early 20th Century stage performance.
  • Art Direction: First off, Burberry did not disappoint with the art direction. They have always been at the top of their game when it comes to finely crafted spots, beautiful tones and color, and the perfect balance of product and lifestyle. This spot almost feels as though it’s a print ad, Burberry print ad come to life. The look and feel of Christmas does come out, however subtly. Christmas is a magical time of celebration and merriment, regardless of which religion you are apart of. The snow showers and the dancing in the snow whilst wearing Burberry coats and scarves perfectly encapsulates Christmas from a Burberry point of view. All in all, I can’t even begin to tell you how much I appreciate the art direction in this film.
  • Four Minutes: I’ve experienced this time and time again, the four-minute “film” on YouTube. I understand that this is more of a music video, more of a campaign launch film than a TVC. However, as marketers, we do have to understand the consumer and determine whether or not one has the time to sit through at four minute film on YouTube. According to Google, after the first 15 seconds of every video on YouTube, that’s when viewers are most likely to drop off. That being said, there’s something to be said about crafting great pieces of art and content. Just as much as we talk about viewership, we also need to keep in mind the types of devices consumers use to watch YouTube videos; there are certain markets in the world where consumers are more likely to watch YouTube on a mobile device than on a laptop. So, who actually watches four minutes on a mobile device when walking around? In the end, let’s keep time in mind when creating spots.
  • Celebrity Casting: Don’t even get me started about celebrity casting. Yes, I see the buzz value in casting a celebrity for a campaign and leveraging their influence to generate buzz and excitement. However, as we have seen in multiple examples including Honda’s latest “Type R” campaign, it’s not entirely necessary. I believe the Burberry Christmas campaign would have the same influence whether or not they casted Romeo Beckham; especially since I just found out he existed. Don’t get me wrong, he’s a cute kid and a “cute kid” works for this execution; just not sure if it was necessary to cast Romeo.
  • Global Relevancy: This is a big one! Now, we haven’t seen a lot of the secondary executions to the spot just yet. They do have some images being leveraged on their Instagram account, but global relevancy is more than just platform activations; especially for a Christmas spot. The subtitle to the campaign is “From London with Love” and that’s all well and good, but London is not the globe; it is a global city, but not necessarily global. How would a market, let’s say, Brazil react to a spot like this? (Especially since during Christmas it’s Summer in Rio). Additionally, we need to look at ethnicity too. This spot is very heavy up on caucasians and doesn’t address the complexity of a diverse set of ethnicities in the world. The campaign is scalable, but not necessarily regionally relevant.

 

Burberry Romeo Beckham

Overall, it is a great spot, but it is lacking alignment with audio and visual; it really needs some refinement. Perhaps, the fix would be as easy as choose a different audio track to complement astounding visuals? It will be very interesting to see how Burberry runs with this idea in their longer-form campaign. Will there be further owned nuances to the idealism? Will there be more song and dance? Will they focus on giving rather than buying? One thing I do know, Burberry are excellent marketers and I can’t wait to see how they make this a case study that we all will use in the coming year.

A Critique of Chrysler’s “Imported From Detroit” Branding

This year, Chrysler stunned the advertising and consumer world with their “Imported from Detroit” rebrand. This rebrand effort was launched during the Super Bowl with the famous commercial featuring Eminem and his music. I will not lie, I was stunned at the excellent delivery of emotion from the folks at Chrysler and I had great hopes that this commercial would be the precursor to a rebirth of branding and advertising not just in the auto industry, but in the ad industry as well. Sadly though, my hopes were a little too high. Chrysler partnering with Wieden Kennedy, created an amazing foundation for a brand rebirth, but failed and continues to fail in execution and evolution of that rebrand.

There not doubt that the promotion of Saad Chehab to CEO of Chrysler and Lancia brands was a result of the Wieden Kennedy’s work with Chrysler. Chehab delivered on a promise to Detroit, to give hope, inspiration and sense of fight back into the people who have endured so much. Chehab said that he wanted to “capture the story of a downtrodden city with a glorious history that still had so much to offer.” That’s true; he with W+K helped bring that story to light. However, what has happened, and I am sure most people in Detroit are keenly aware of, the delivery of that story and offering is quickly dwindling if not completely gone.

This is Motor City, and This is What We Do
Eminem’s epic moment in the brand’s feature commercial was, not doubt spectacular, especially with the line “this is motor city and this is what we do.” Moreover was the introduction ahead of Eminem’s appearance, was much more powerful. The quick cuts of the real Detroit; the cold, the strength, the people and the faith the city has. The commercial told a story of those who have fought long and hard. Those people who have worked, those people who have never given up hope. The commercial followed the rules of emotional branding to their finer details. “The hottest fires forge the toughest steel.” Hope and ambition, strength and character, America and its people were the messages being drilled into our hearts. We did not weep when watching this commercial, rather we watched with open eyes and mouths while not breathing a single breath. We knew, just like those in Detroit, that this commercial, this message, meant something. It touched us in a way we haven’t felt in a long while. And there it was, emotion being applied to the brand. It was as if Chrysler never left us and never will. It was here to stay and lift us up from the dark.

That was the point of it all; hope and inspiration. Chrysler created something that we all believed in and we attached ourselves. If you notice, the car was in the commercial for all of 15 seconds. It wasn’t about the car, never should have been. It was about the people making it and the people around it.

And that’s the last we saw of that messaging.

Introduction of New Cities
I don’t know if it is easier to shoot in New York and LA, but that’s where the latest Chrysler commercials filmed from. I agree, that a brand needs to evolve and needs to seek out new landscapes, however, New York and LA are not related to Detroit even in the slightest. This rebrand was about blue-collar, the American struggle. New York and LA do not provide that persona at all. Nor is “Imported from Detroit” about fashion or hip-hop. The introduction of fashion designer John Varvatos in New York and Dr. Dre in LA do not align to the emotion already set.

Yes, Varvatos is from Detroit, but fashion is not and Dr. Dre is from LA. These are complete disconnects from the brand or what the brand is supposed to be about; or from what we gathered the brand is about. I know that Dr. Dre’s Beats Audio are integrated into some vehicles, but what about having those commercials shot in Detroit or city similar? What I don’t get is the fashion angle. How does fashion or a fashion designer relate to this campaign at all?

Eminem came from and will never leave Detroit. He has blue-collar in his blood. In fact, word on the street is that Chrysler and W+K had to prove that the campaign was going to reflect and promote Detroit and that Chrysler will never leave it. Well, fast forward 5 months and Chrysler left Detroit to shoot in LA and New York.

In my opinion, if you want to maintain that level of emotion around a city and its people, especially those who are hard working, determined and full of character, don’t leave that city. Make Detroit the epicenter of the rebrand. Align Detroit to Chrysler; align the people to the image. If you have to, move to a city much like Detroit such as Cleveland, Milwaukee, Pittsburg or St. Louis. It is very apparent that Chrysler, along with W+K have lost sight of the emotion they had originally created.

The Branding Dispute
Pure Detroit began selling apparel and other items with the “Imported from Detroit” slogan on them. Chrysler quickly came down on them with a cease-and-desist order and began to sue them. Yes, large brands know how to keep hold on their brand and enjoy controlling it and maintaining the image. Where Chrysler made the mistake was this case specifically. Given the fact that the rebrand was about Detroit’s people and the American people, the rebrand should have been allowed to evolve and be owned by the people. I’m all for brand equity and promote it with my clients. However, this case is different. The people of Detroit evangelized the brand after one, one commercial! This is unreal. This is free advertising, this is free advocacy and free recognition. Chrysler as a brand doesn’t have to do anything to move the brand forward, yet, they came down hard on the “working man” or the Detroit they have come to realize was always there waiting to be understood.

In this case, allow the merchants to create your brand for you. Allow the consumers to respond with faith in your brand and become inspired by the work they do to create the cars that you are selling.

Branding and Art Direction
The rebrand’s art direction is the brass tacks of what I’m concerned about. Coming from an Art Director background, watching this campaign unfold makes me cringe. The inaugural commercial had “feeling” belonging only to itself. When W+K or the other agencies working with Chrysler started rolling out traditional media, follow up commercials and microsites, the image and the emotion quickly fell apart.

If a large brand like Chrysler wants to rollout a campaign like this, it is required to have a cohesive image and message across all channels and outlets. You see below that the commercials do not have the same art direction as the traditional pieces. The websites do not live up to the image in the commercial as the sites are all about product and not image and emotion.

What I do have are stills from videos from the auto shows at the booths after the commercial aired. They are emotional, endearing, historic, and they tell a story of where we have been and where we are going – all without products. I want to sit in a Chrysler after seeing these images.

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Here’s a solution, take visual cues from the commercials that made you great. Speak, through images and content about the story, about the emotion, about the city, and about life. Let the consumers make a connection with your story, then with your product.

What This Campaign Should Have Been About
In summary, this campaign should have been about hope, reality, inspiration, fight and pride. It should have been about the people and the feelings. Chrysler and W+K have failed at aligning meaning behind the rest of their approach to the brand that they started back in early 2011. Align back to Detroit, speak to the people that make that city great and this country great. Speak to sacrifice, hard work and determination. Speak to THEM and stop bringing us that which we cannot relate to. Do not leave Detroit, do not ignore the “blue-collar” worker and do not leave us like the brands before you.

Want to know what I’m talking about? Watch what Levi’s is doing.

A Shift in Culture

I remember writing something on Twitter a few weeks ago regarding the idea that people no longer to go coffee shops for coffee, as we did in the last decade or even the one before, but to go now for WIFI. This statement has made me wonder, what is different now from years before? How has our culture evolved? How has our day-to-day lives changed?

One example would be how we search for things. Remember back in the day when we would have to use the Yellow Pages to find business or people? Or even more recently when we would use search engines through the computer? No longer do we have to open a book or even turn our computer on, we can search in the palm of our hands with portable devices. Various applications allow us on our phones, to find what we are looking for almost immediately. I mean, even the mere idea of having applications on a phone is a relatively new concept. Ten years ago, I had a phone that could only send/receive calls and, what was at the time something new, text messages. We use our phones not to call anymore, but as a mobile computer.

Speaking of mobile computers, we are now in a time when you no longer have to wait to get to the office or go home, we simply pull our computer out of our bag, hop on to some WIFI and go. I’m not saying that laptops were not around 10 years ago, but they definitely weren’t as prevalent and certainly were not the primary computer that people used. We even use them to give presentations and pitches to clients. Our very nature is now becoming mobile.

Facebook.com

Twitter and Facebook were not the first, by a long shot, social networking platforms around. However, their ability to adapt to the ever-changing online environment, has kept them around. It used to be that we would ask someone for their number, call them or even text them. Now, we “Facebook” them or follow them on Twitter. Even businesses are adopting the social media trend. Promoting themselves through social media sites, advertising their services or products by “tweeting,” and interacting with their demographic in the first person. Social media is changing the way we buy things, learn about things and even meet people. I’ll even go as far as to say that psychologically, we believe that the online presence of a person and/or business is actually who they are. We don’t think of their page as a page, but as the person themselves.

And while we’re on the topic of online environments, who goes to a record store anymore? Do you know of any around still? Who uses CD players? It’s all iPods, mobile phones, laptops and streaming. The advent of the digital medium and the unlimited access to any song anywhere on the web has changed the way we buy and listen to music. I’m even thinking of ripping all my old CD’s to MP3 and selling them off.

So, what’s next? What are we as a culture going to shift to? We already see it happening. Augmented Reality is creeping into our culture slowly, but surely. Google has released a statement saying they’re going to customize billboard advertisements in their Street Map application and change the way we advertise. Ford is unveiling a car with applications on the dash. We have a vague idea of what is around the corner, however, all that we can really plan for is that we don’t know how society is going to change, but it is an exciting time to be alive.

Where do you see us heading next?

Brand Follower Expectations Are Changing in Social Media

We have all seen the numbers, seen the stats and have seen how fast social media is taking off. We are trying our best to create audiences, promote product, educate users and become influencers for the brand’s new market. Marketing industry professionals, myself included, are eager to sign clients, create promotion strategy, sort out metrics and compile analytics. To what end?

I’m not saying that we’re blind to what we are doing here, quite the contrary. What I am saying is, even though social media is new, it’s evolving already.

All of us, including the users and brand followers, are creating a revolution in the marketing world. All of us in some capacity, are improving the networks and driving innovation and expectations further. Never before have we seen such immediate communication between the sellers and the buyers. Social media marketing is fairly new to the advertising/marketing/communication world and it’s changing faster than we can assimilate at times.

What sometimes slips through our cracks is the end user’s expectations of the rapid evolution of social media. Brand followers and customers are not stupid. And in all honesty, they never really were, we just treated them like that. That needs to change. The driving force in the next steps of social media marketing will be adapting to the expectations of the brand follower/user/customer.

For a while now, new media marketers have been set to a standard of post, link, editorial, post, link, editorial, and engagement when needed. Where content is king (whatever that means) and the flow of information is the most important asset any company has. Users, from what I have noticed, are starting to expect more out of the brands they follow. They are starting to understand what marketers are doing, which is basically conventional advertising and marketing practices guised as social media.

So, what do I foresee what brand followers will expect out of us in the near future? It’s hard to tell exactly what the evolution will be. However, if you look at the big picture, you start to notice behavioral changes. Here are a few ideas.

    BRAND PERSONALITY OFFICER
    Brand followers were fine, for a while, with brands just pushing information out on them. Followers liked the idea of “liking” their favorite brand and telling their friends about it. However, the brands have become too passive. To speak to a follower, you need to be able to speak TO them, not at them, or wait for them to speak to your brand. Followers will start to expect a “Brand Personality Officer” to interact with while online and one who creates and fulfills the personality of the brand to the followers. The BPO’s mission will be to engage with brand followers utilizing their own personality mixed with that of the mission of the brand. “Speak as if you ARE Brand X.” If the brand doesn’t have anyone to speak with, the user will most likely pull the plug on the “follow.”

    INCENTIVES
    Why do your brand’s followers actually follow you? What is in it for the brand followers other than a link on their Facebook page and a post twice a day? Incentive based social media marketing has already popped up on the grid but, we need to press further. Rewarding the followers of the brand that have taken the time to view your page or feed is the right thing to do and, in all honesty, the followers are wanting, if not expecting it. Service with a smile and a free cup of coffee.

    USER GENERATED CONTENT IS KING
    It once was said that, “Content is King” in the land of social media. Well, that was true about a year ago. But now, as we press forward and engage with our followers, the brand followers want to engage with “their” brand, they are thirsting for it.* Imitation is the best form of flattery. Allowing and promoting brand followers in generating their own content and sharing it with the brand, even if it’s crappy, is a gold mine of promotion.** Think of it, you as a marketer don’t even have to spend anything to promote your brand, they’re doing it for you and they are happy, if not, eager to do it! Give them the avenue and the “incentive” to do so.

    * Brand followers have a belief that their favorite brands are actually “their” brands.
    ** One key thing about User Generated Content, is the “Brand Personality Officer” needs to comment on it, thank and engage the follower for doing so.

These are just some observations and predictions I have as to the future of online marketing to brand followers. What is the common denominator with all of these? The brand follower wants to be engaged by the brand and wants some sense that there is a person behind the curtain they have access to. The brand followers are going to be expecting more out of the brand and us as marketers. We have to be ready to foresee and adapt to their changing expectations.

->> PS: These are merely observations and not based upon any sort of analytic, just in case you were wondering.

I Never Got My Hoverboard

Back in the day, I was a bit obsessed with the Back to the Future trilogy. I loved the idea of having a Hoverboard or flying cars in the future. However, I’ve come to realize the future that I thought I was promised, most likely will not come true. I have come to terms with this.

There are, however, more realistic items that I think I am entitled to, since I can’t have a Hoverboard. These items aren’t far out of the realm of possibility and probably already exist, just not at a price point I can afford. So, I have compiled a list of “futuristic” items I would like to have.

Bluetooth/WIFI Enabled/Wireless Networked Television

Wouldn’t it be great to integrate your television with your wireless network; to have your television share the screen of your PC? Or to surf the Internet through your television? How about have your iPhone (or other smartphone) control it? How about a peripheral connecter base station (for your DVD player, receiver, or whatever) that broadcasts the video signals to and from your television wirelessly? Oh, and how about putting a USB port on a television too?

I know these do exist, I just can’t afford them. I’m sure as time moves along, the price will drop and become more available.

Bluetooth Earbud Headphones

Ok, I know that Bluetooth headphones exist, but they are super large monitors and are expensive. We also have earbud Bluetooth phone headsets (which are annoying). How about Bluetooth earbuds to listen to music on your iPod or iPhone? The technology is there; it would really help out those who workout. Oh, and keep them at a lower price point too, unlike the Bluetooth studio monitors.

Smart Coffee Maker

A coffee maker that schedule brews based upon a preset time or that wirelessly communicates with your alarm clock so when the alarm goes off, the coffee maker starts. One that grinds its own beans, loads its own grounds, and disposes of its own waste. That maybe too much to ask of a coffee maker, but it sure sounds pretty sweet.

iPhone Apple Remote

My Apple remote works with my MacBook Pro and my iMac. It’s a very small, simple device. Why can’t my iPhone do the same thing? Perhaps because the iPhone needs an IR port?

iPhone Radio Tuner

Since we’re on the topic of iPhones, how about an AM/FM tuner built into the OS for iPhone? Why not? CD Players have them.

Continue reading “I Never Got My Hoverboard”

Applying a Political Speech to Technology: Agnew Knew

I was listening to a mix by Deadmau5 tonight and he included a speech by Vice President Spiro Agnew while in Houston, Texas on May 22, 1970. It’s a pretty profound speech about the times during the Vietnam War.

The speech has elements that hold true, in most instances, to what is happening today; and by that I mean technology. I figured I would post an edited version of the speech here. The speech really rings a bell for me every time I hear or read it.

Yes, I know it has political connotations to it and by all means I don’t really want to enter into a political discussion. However, if you sit back and read this excerpt and apply it to our contemporary lives with technology, it adds another meaning entirely; and that’s what I’m trying to get at.

“Sometimes it appears that we’re reaching a period when our senses and our minds will no longer respond to moderate stimulation. We seem to be reaching an age of the gross, persuasion through speeches and books is too often discarded for disruptive demonstrations aimed at bludgeoning the unconvinced into action. […] Subtlety is lost, and fine distinctions based on acute reasoning are carelessly ignored in a headlong jump to a predetermined conclusion. Life is visceral rather than intellectual. And the most visceral practitioners of life are those who characterize themselves as intellectuals. Truth is to them revealed rather than logically proved. And the principal infatuations of today revolve around the social sciences, those subjects which can accommodate any opinion, and about which the most reckless conjecture cannot be discredited. […] The student now goes to college to proclaim, rather than to learn. The lessons of the past are ignored and obliterated, and a contemporary antagonism known as “The Generation Gap.” […]”Vice President Spiro Agnew, Houston, Texas – May 22, 1970

Please Don’t Do That On Twitter

I have been on Twitter for years now. I have made a lot of new friends, connections and networked with many in my industry. Twitter has taught me a lot about how to communicate in social media and helped me get what ever message I wanted out to the world.

Certain Twitter methods can yield great results for you and your brand. However, there are methods that can prove to be detrimental. Methods that annoy users and consequently discourage users from interacting with you and your brand, enable users to stop following you, or in the extreme cases, these detrimental methods could lead to you being reported and shut down.

This is what I’m going to focus on, the detrimental. I will focus on some methods that you should not employ while on Twitter. (Incidentally, these methods make me really annoyed too.)

Blast/Burst Posting:
Blast posting is posting tweets anywhere from every 30 seconds to every 2 minutes. Yes, Twitter is all about real time updating, however, it needs to be done in moderation. If you blast post, it becomes difficult for your followers to read what else is going on in the world from other users. Followers become annoyed and develop a negative perception of you or your brand. Burst posting is similar to blast. Bursting is posting 3-5± tweets within a small time frame (like two minutes or so), then waiting a bit, then doing it again. Followers feel the same about burst posting as they do blast.

Spam:
This is a no brainer. Do not spam, at all, period. Spam on Twitter usually comes in the form of a user that follows you in the hope you follow them back to read all their advertisement tweets from some sort of API they have developed. Common spam users will offer “how to get more followers,” “check out my pics,” or “how to make money tweeting.” Users on Twitter tend to be ‘seekers’ of information. They seek out the info they want from users that provide it. If they wanted to learn how to make money tweeting, they will follow you, not the other way around.

Negativity:
Typically, the overall vibe on Twitter is a happy one. No one likes it when you put someone down, argue with other users or whatever. People who are negative on Twitter are not completely called out about it, but they do become quarantined from other users. Your Twitter profile is an extension of yourself or your brand. To remain positive in any and all circumstances will result in a positive association of yourself or your brand.

Check Out My Blog:
Another annoying bit of Twitter is when users, who are either added by you or add you themselves, direct message you to check out their blog or website. “Hi, nice to meet you. Check out my site.” I can’t tell you how many people tell me to do that. Again, Twitter users are seekers of information, they will seek the info out if they want to. Especially, when most likely, that information will be in your profile anyway. When you message someone on Twitter, make it as personable as possible. Which leads me to the next annoyance.

Scheduled/Auto Tweets:
Scheduling your tweets can take away a sense of personality to your Twitter profile. I’m not saying that services like Hootsuite are all bad, quite the opposite. What I am saying is, using automatic tweets only for your profile’s tweets becomes detrimental when trying to develop an audience of followers. Followers like the interaction, they hunger for it. It is ok to, at times, use tweet schedulers for relaying informational links and product launches. However, solely using schedulers, auto responders, and auto tweets separates you from your followers and thus the message becomes lost in a sea of information.

Bots:
Twitter bots, oh man, these are nasty little programs. They vary in their application. Sometimes they show up if you tweet a certain word and they retweet you or send you a direct message. Other times they seek you out based upon your tweets and profile to send you specific messages for their advertisers. These bots become annoying and reflect negatively on anything they tweet about. Let’s say, I tweet about Obama. I will get a retweet about Obama with a link inside it. And let’s say, I get four retweets about that. That becomes annoying and congestive. Also, since they are retweeting me, my followers get annoyed. Again, Twitter is a land of seekers, if they want the info, they’ll find it.

So, there is the list. Yes, most of these annoy me a great deal. But, I’d like to think it’s a good look into what not to do in the Twitter world. Keep this in mind: remain positive, encourage interaction and be personable.

Followers, Following, Tweets – It’s Not Always A Numbers Game

When it comes to Twitter, many users are so focused on either how many people they’re following, or how many people are following them or how many tweets they have. We live in a world of numbers and it can be difficult to separate yourself from trying to get the larger number. Perhaps the number isn’t what’s important, it’s how that number is relative to your account.

Followers:
We have a desire to be popular. We want more people to listen and care about what we are saying. A higher follower count will make it seem that you have a lot of followers, but are they really following what you have to say? Are they robots/spambots? This is not to say that you don’t ideally want a high number of followers. What I am saying is you have to know WHY you want more followers. What do you want out of Twitter? The number isn’t everything to all users when they look at your profile. It may feel like you are popular, but do you actually communicate with all those followers, or are they just a number.

Following:
One client of mine wanted a strong follower/following ratio on their Twitter page. They wanted more followers than who they are following. I can see the reasoning, but in the end, who cares. You will want to follow those who provide the best content and the most engaging relationships. If that is more than who are following you, so be it. Social media is about the sharing of information and the formulation of relationships. You’re sharing information with your followers, why not share the information from them as well? This will help your account build relationships.

Tweets:
Yes, some accounts have five digit numbers of tweets, some only have three digit counts. Quantity is important in tweeting, however nowhere near as important as quality of the tweets. Think of it this way, would you enjoy following someone who tweets about every mundane thing in their life, every minute? Usually you don’t. However, those who tweet valuable information and insight are the ones you can’t take your eye off of. Basically, it’s great to have a high number of tweets, but make them count.

In social media, numbers are valuable, but they’re not the whole story. You need to have the content, value and relationships along with those numbers to build a strong social media presence.